RESULTS OF JUNE POETRY COMPETITION
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RESULTS OF JUNE POETRY COMPETITION

JUDGE'S REPORT - POETRY COMPETITION THEMED 'ANNIVERSARY'
 
What a pleasure and how interesting it was to read 176 poems by 90 poets, their thoughts, talents and efforts.  Most entries were in free verse though there were villanelles, sonnets, one acrostic and some rhymed poems of no classic form.
 
In this competition themed Anniversary, 1887 by Catrin Mascall soon rose to the top and remained there so I’ve no hesitation in declaring that this poem is the winner.
 
1887
 
A beautiful, bright day to hide one’s woe
Surrounded by smiles, I forge my own
For our unclouded happiness blackened long ago
 
My eyes threaten to betray me, to overflow
The landau arrives, the horses draped in finery
A beautiful, bright day to hide one’s woe
 
Through streets the public cheer, row after row
Their joy permeates, stretches the length of London
For our unclouded happiness blackened long ago
 
A sunbeam falls, golden rays suffuse; I glow
As your Te Deum dances through the Abbey
A beautiful, bright day to hide one’s woe
 
The celebrations stir my heart, but even so
I long for solitude, the dark, and cool cotton
For our unclouded happiness blackened long ago
 
At last! Alone, abed, to dream I know
Of your smile, indelibly impressed on my soul.
A beautiful, bright day to hide one’s woe
For our unclouded happiness blackened long ago..
 
Catrin Mascall
 
 
This is about Victoria's reflections on her Golden Jubilee celebrations.  It captures the dilemma of Victoria being torn between happiness and the sadness of losing Albert.  It has the form of a villanelle but does not obey its dictates, just as Victoria is not going along with the celebrations.  We have crisp pentameters for celebration and long hexameters to echo Victoria's sadness.  The rhymes are not in accord with those of a standard villanelle; instead there is an attempt to obey the rules, just as Victoria β€˜forges’ a smile, but then the rhyme becomes mixed and significantly, in the last stanza, β€˜soul’ has nothing rhyming with it, for Victoria herself is a lost soul.  The poem achieves what it has set out to achieve.
 
Less easy to choose but in the end definitely second is Divorces With Foxgloves by Christian Ward, despite the word β€˜windows’ in the final line which jarred and I thought inappropriate.  The rest is charming, particularly β€˜the blossoms turning the London pavements into wedding dresses of white lace’.  Fallen petals are poignant.  They are sometimes used to represent tears.  I once used them myself as β€˜yesterday’s confetti’ when describing my terminally ill husband as β€˜my dying bridegroom’.  This is not, however, a purely subjective choice based on this line alone, I promise you.  The rest is very moving, evocative and musical.
 
 
Divorce With Foxgloves
 
The foxgloves always remember
the anniversary of my divorce –
every June 3rd – popping up like calendar
notes every spring. The klaxon flowers
announce the date to the bumblebees
entering their dens, to the sky
with hues of jewels, to the blossoms
turning the London pavements
into wedding dresses of white and lace.
Look how proud they are to act
as unwanted messengers while I console
myself among the meadows
closing their windows as spring winds down.
 
Christian Ward
 
 
There was another poem submitted which would have come second had it been on subject!  This was quite simply not remotely about an anniversary.  Writing off-subject was done by twelve other poets.
 
This is one of several ways of disqualifying your poem in a competition.  A few were more than twenty lines long.  What a pity.  They were automatically ruled out, I’m afraid.  Other errors I would have overlooked had the poem been very good, though I think some judges would not have been so merciful.  These include incorrect grammar, spelling or in one case in this competition, the spelling of a word in two different ways.  The word was β€˜ageing / aging’.  Never mind that both spellings are allowed, one should be consistent.  None of these would have put me off though, had the poem been otherwise worthy, nor poor punctuation.  In fact few people can punctuate.  Poems arriving after the closing date should be avoided.  Happily this time no gems were among the late arrivals.
 
My subject Anniversary was, I think, less widely interpretable than some I could have set and so most were anniversaries of wedding days or the days lovers met: some happy, some sad, some disenchanted, disappointed.
 
I always feel humbled and privileged to be trusted with the generously self-exposing thoughts of other poets and I thank you all.
 
Dorothy Pope